Director Bio
You'd expect your chiropractor to go see a
film once in a while, just like everyone else does. But make a film?
That's
another
matter entirely. Yet, that's exactly what Dr. Lawrence Ferrara of Boston
has done. Ferrara has just wrapped post production for A STRANGER WITHIN,
a compelling thriller filmed in and around the greater Boston area.
According to Ferrara, writing a screenplay was less difficult for him
because he has observed much about human behavior in his practice. As
a chiropractor, Ferrara was trained to see people's smallest actions.
Since he does this every day, he feels it wasn't that difficult to develop
fictional characters with unusual quirks. That's how the idea for A STRANGER
WITHIN began.
It must also be said that Ferrara's interest in film began as a child,
when he was able to get a poster from THE WIZARD OF OZ with the original
signatures of Ray Bolger and Jack Haley. He has been an avid film fan
all of his life, and this prompted him to take a film directing class
at Boston Film and Video several years ago. That one experience led him
to production work, assistant directing positions and finally to A STRANGER
WITHIN, his very own screenplay. In addition to writing A STRANGER WITHIN,
Ferrara also produced and directed this film.
Adjustments are, of course, what being a chiropractor is all about.
But making his mark in the film industry has been the biggest career
adjustment of Dr. Ferrara's life.
FILMOGRAPHY
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Spring, 2004 Director/Producer/Writer A STRANGER WITHIN
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Fall, 2000 First Assistant Director DEATH BY REPETITION
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Spring, 2000 First Assistant Director/Editor ABOVE THE LAW
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Fall, 1999 Production Assistant AVUNCULAS
An Interview with the director
The first question I generally get asked: “What, exactly does a
director do?”
Well, in an independent film, it must be said that the director gets
involved in everything. This includes script, casting, lighting,
sound, location selection, wardrobe and set design…not to mention
directing the actors …and don’t forget to order enough sandwiches for
the entire crew.
But the biggest challenge of all for me? It was maintaining the point
of view of each character by fine-tuning the blocking, camera movements
and lighting. And throughout the shoot and edit, each aspect of
the film was painstakingly evaluated to determine if all parts were essential
to telling the story.
For example, in the scene in which Danny returns home from a date
and thinks for the first time that perhaps he is “not a loser” anymore,
he also experiences his first real confrontation with his brother.
The camera and actors movements had to enhance the emotions being
displayed.
I insisted the actors move in a circle in a clockwise direction
while the camera, which was hand-held, rotated in the opposite
direction. This
added a sense of urgency to the scene — and rotating the camera against
the actors created a heightened tension. Think of it as two boxers in
a ring.
“A Stranger Within” is my debut feature, both as writer
and director. It has been said that a director’s job is made easier
when working with a talented cast. And I was blessed with a truly
talented and spirited cast. Each actor performed
brilliantly.
All
understood
their
characters
intimately and made them come alive on the screen.
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